recent call for papers

START *DUE* CONFERENCE THEME LOCATION
27-sep-13 24-maj-13 frog2013 fun n games Vienna Germany
09-dec-13 24-maj-13 icmi2013 Multimodal Interaction, ICMI Sydney Australia
27-sep-13 31-maj-13 CVRB Journal of Virtual Reality and Broadcasting Dusseldorf Germany
25-sep-13 01-jun-13 Virtual archaeology VIRTUAL ARCHAEOLOGY: Museums & Cultural Tourism Delphi Greece
09-sep-13 02-jun-13 mm4ch2013 Workshop on Multimedia for Cultural Heritage Naples Italy
30-sep-13 02-jun-13 ie2013 matters of life or death Melbourne Australia
28-okt-13 09-jun-13 Digital Heritage 2013 Digital Heritage Marseilles France
04-aug-14 13-jun-13 inclusive museum the inclusive museum Los Angeles
06-okt-13 14-jun-13 its2013 ACM Interactive Tabletops and Surfaces 2013 Conference St Andrews Scotland
03-okt-13 15-jun-13 Cultural Research Culural Research in the Context of Digital Humanities St Petersburg Russia
01-okt-13 17-jun-13 ismar2013 mixed and augmented reality workshops Adelaide Australia
29-nov-13 28-jun-13 ITS2013 The Internet Technologies and Society Kuala Lumpur
05-dec-13 20-aug-13 DHLU2013 Reading historical sources in the digital age Luxembourg
21-jan-14 01-sep-13 enter2014 etourism Dublin Ireland
08-jan-14 16-sep-13 meccsa2014 media and the margins Bournemouth UK
18-mar-14 ? dha2014 Digital Humanities Australasia 2014: Expanding Horizons Perth Australia
06-jul-14 ? DH2014 Digital Humanities Lausanne Switzerland

Centernet CFP–NANO: New American Notes Online (Issue 5) Special Theme: Digital Humanities, Public Humanities, Deadline: 1 October 2013

NANO: New American Notes Online

Call for Papers: Issue 5

Special Theme: Digital Humanities, Public Humanities

Deadline: 1 October 2013

www.nanocrit.com

Scholars, artists, and new media practitionersincluding Sharon Daniel, Erik Loyer, Alex Juhasz, Liz Losh, Tara McPherson, Kathleen Woodward, Sarah Elwood, Margaret Rhee, Kim Christen, and Alan Liuhave recently investigated the intersections of digital methods with cultural criticism, demonstrating how investments in technologies and computation are not necessarily antithetical to investments in critical theory and social justice. Building on these investments, this special issue of NANO (http://www.nanocrit.com/) asks how, when, and for whom digital humanities is also public humanities, with particular attention to project-based research. For instance:

● Which digital humanities projects are currently engaging contemporary politics and social exclusion, under what assumptions, and through what mechanisms?

● How are these projects articulating relationships with their publics and community partners, and through what platforms and forms of collaboration?

● How are public humanities projects being preserved, circulated, and exhibited through digital methods? By whom? Using what protocols and technologies?

● Does public humanities have “data”? If so, then how is that data defined or structured? If not, then what are some concerns about data-driven research?

● What might the histories of digital humanities (however defined) learn from social justice activism, participatory research, context provision, and witnessing?

● How are building, making, or coding activities embedded in social justice initiatives?

Across text, image, audio, and video, authors are invited to individually or collaboratively submit notes or brief "reports" detailing projects that work across digital and public humanities, including projects that do not identify with either term.

For the issue, a "report" implies a submission that, at a minimum:

● Focuses on an existing project, which is in development or already live;

● Provides screengrabs, screencasts, or snapshots of that project and (where possible) treats them as evidence for an argument about the project;

● Intersects questions of computation and technology with questions of culture and social justice; and

● Articulates a narrative for the project, including (where applicable) its workflows, motivations, interventions, management, and partners.

Invited by NANO, the editor of this special issue is the Maker Lab in the Humanities at the University of Victoria, including Adèle Barclay, Nina Belojevic, Alex Christie, Jana Millar Usiskin, Stephen Ross, Jentery Sayers, and Katie Tanigawa.

SUBMISSION GUIDELINES: For this special issue, we are accepting submissions across text, image, video, and audio. All submissions should be submitted to both maker and editor.nanocrit by 11:59pm on 1 October 2013 in your time zone. The body of the email should include your name(s), your affiliation(s), the title of the submission, five keywords describing the submission, and media type(s) and format(s) for the submission. Where possible, the submissions should be attached to the email. Should a submission exceed the email attachment limit, then the body of the email should also include a URL for the submission. The URL should not be discoverable on the web (e.g., it should be behind a passcode-protected wall, in a private cyberlocker, or not visible by search engines). Do not include your name(s) in any file name. Your name(s) should only be included in the body of your email.

If your submission is in text, then it should not exceed 3500 words (DOC(X)s and RTFs are preferred). Up to 15 high-resolution (at least 600 dpi) images are permitted (JPEGs are preferred) per submission. Video submissions should be 3 to 10 minutes in duration (MOVs and MP4s are preferred; minimum resolution: 426 x 400; maximum resolution: 1920 x 1080). Audio essays should also be 3 to 10 minutes in duration (MP3s and WAVs are preferred, encoded at 256 kbit/s or higher). Both audio and video can also be embedded in any text submission (no more than 5 instances of embedded media per submission).

All submissions should follow MLA guidelines for format, in-text citations, and works cited. Please email any questions about the submission guidelines to maker and editor.nanocrit.

SCHEDULE: Below is a tentative timeline for this special issue:

April 2013: Call for papers

October 1, 2013: Deadline for submissions to maker and editor.nanocrit

October 2, 2013: Peer review commences

November 1, 2013: Comments by the editors sent to all authors

November 25, 2013: Authors return final, revised submissions to the editors

December 1, 2013: End of peer review process

December 1, 2013: Final versions of selected submissions sent by editors to NANO

December 6, 2013: Publication in NANO

COPYRIGHT AND PERMISSIONS: NANO expects that all submissions contain original work, not extracts or abridgements. Authors may use their NANO material in other publications provided that NANO is acknowledged as the original publisher. Authors are responsible for obtaining permission for reproducing copyright text, art, video, or other media. As an academic, peer-reviewed journal, whose mission is education, Fair Use rules of copyright apply to NANO. Please send any questions related to copyright and permissions to editor.nanocrit.

QUESTIONS: Please do not hesitate to contact the Maker Lab in the Humanities (special issue editor) at maker with any questions or concerns about this special issue.

We are looking forward to receiving your contributions to this issue of NANO.

The Maker Lab in the Humanities at the University of Victoria

maker

Special Issue Editors: Adèle Barclay, Nina Belojevic, Alex Christie, Jana Millar Usiskin, Stephen Ross, Jentery Sayers, and Katie Tanigawa

www.nanocrit.com

CVRB conference submission extended.

http://www.jvrb.org/cvrb

CVRB 2013 – 1st International Conference on Virtual Reality and Broadcasting

Celebrating the 10 year anniversary, JVRB is organizing an international conference on VR and Broadcasting that is held in conjuction with Marie Curie Researcher’s night.

we would like to inform you that we have extended the deadline for full articles to April 30th, 2013, the same as for short papers. Additionally, we are planning a second extension of the deadline for both article types to May 31st, 2013.

Conference calls for April 2013 onwards

START *DUE* CONFERENCE THEME LOCATION
22-09-13 03-04-13 Theory and Practice of Digital Libraries Theory and practice of digital libraries 2013 Valletta Malta
11-09-13 22-04-13 vs-games 2013 Games and Virtual Worlds for Serious Applications Bournemouth UK
25-09-13 30-04-13 EAEA2013 Envisaging Architecture Milan Italy
16-09-13 30-04-13 Culture and Computing Fourth conference (Culture and Computing 2013) Kyoto Japan
31-10-13 30-04-13 games and literary theory Digital Games and Literary Theory Conference Series Valletta Malta
25-09-13 30-04-13 CVRB Journal of Virtual Reality and Broadcasting Dusseldorf Germany
19-09-13 07-05-13 transcending borders Japanese Association for Digital Humanities Kyoto Japan
09-12-13 24-05-13 icmi2013 Multimodal Interaction, ICMI Sydney Australia
28-10-13 09-06-13 Digital Heritage 2013 Digital Heritage Marseilles France
06-10-13 14-06-13 its2013 ACM Interactive Tabletops and Surfaces 2013 Conference St Andrews Scotland
22-09-13 SSH horizons for social science and humanities Vilnius Lithuania

Job offer: project manager PERICLES at CeRch

The Centre for e-Research (CeRch) located in the Department of Digital Humanities (DDH) at King´s College is looking for a project manager on a new EU FP7 Digital Preservation project PERICLES that will run until the end of January 2017. Closing date for applications is 16 April 2013.
For further information please visit this page: http://www.kcl.ac.uk/depsta/pertra/vacancy/external/pers_detail.php?jobindex=12991

Free one day event: “Digital Humanities: Now and Beyond” 17 April 2013, Aalborg Denmark

Digital Humanities: Now and Beyond

The Manifestos

The keynotes by Jeffrey Schnapp (Harvard University) and John Naughton (University of Cambridge) will discuss their respective visions of Digital Humanities.

Prominent Danish scholars within digital humanities will present on both the critical-problematic perspectives of the Humanities turned Digital or present their own research projects within the area of Digital Humanities.

Talks will be in English.

Programme 17 April 2013
10.00-10.15 Welcome and introduction by organizer Associate Professor Mia Rendix and Dean of the Humanities, Professor Lone Dirckinck-Holmfeld
10.15-11.00 Keynote by Professor Jeffrey Schnapp (Harvard University)
11.00-11.15 Questions
11.15-12.15 Keynote by John Naughton (Cambridge University)
12.15-12.30 Questions
12.30-13.30 Lunch
13.30-14.00 Lecture: Professor Helle Porsdam (University of Copenhagen)
14.00-14.30 Introduction of the Danish DigHumLab, by Associate Professor Erik Champion (University of Aarhus)
14.30-14.45 Coffee
14.45-15.15 Lecture Professor Lars Ole Sauerberg (University of Southern Denmark)
15.15-15.45 Lecture Associate Professor Niels Brügger (University of Aarhus)
14.45-16.30 Round-table discussion – chaired by Professor Thomas Ryberg (University of Aalborg)
16.30 Goodbye

Please sign up for the conference at this link (participation is free of charge).

If a cancellation is received after 8 April 2013 and/or the participant fails to attend, the participant will be charged an administration fee of 100 Danish crowns (DKK).

Organizer: Associate Professor Mia Rendix, Aalborg University – Denmark

Note: Flights to Aalborg Airport: http://www.aal.dk/direkte-ruter/#.UVwfAlejaPw Norwegian offer many cheap flight connections or one can connect via Copenhagen, Berlin and others.

Billund airport (2-3 hours away) is serviced BA; Ryan air; KLM, Air France; Lufthansa; SAS; and Norwegian.

Ambient Games, Ambient Interpretation

Reblogged from The Interpretation Game:

Last night I saw a presentation by Dr Mark Eyles. It was part of a meeting of the Hampshire Unity3D/3D Interactive Group (H3DG), a groups which started up just as I was beginning my studies, so I've sort of fallen into it. Its a great little get together, about once a month at The Point in Eastleigh. Part of the evening consists of a tutorial demonstrating how easy the…

Read more… 1,195 more words