Authenticity and Communicating the Past

Day 1 of #ComPDA conference (program) at the University of Cologne and authenticity is a big topic in Q&A

I wonder if

  1. a workshop session on writing a charter/guidelines on Authenticity in Digital and Interactive media would be of interest.
  2. A gane idea where exoloring and avoiding or collecting the most authentic would be part of the gameplay
  3. A tool inside a game/VE to show levels of contestation/interpretation/historical authenticity can reveal the schema/paradata postplay or preplay..

Xavier from Edinburgh is now talking about the exciting non educatonal aspects of Assassin’s Creed (Origins vs Odyssey for example) – I wonder if someone has done a survey of the game assets/narratives and scored/compared their educational/authentic-inauthentic/’fun’ levels and areas. Are fun and education really always directly opposed in these sort of games?

References

Assassin’s Creed

General

Game prototyping workshop in Turin

At the Politecnico di Torino, Turin Italy, I gave a talk on Monday in their summer school on Cities Cultural heritage and Digital Humanities, on Virtual heritage and publication issues.

Yesterday I ran a workshop on game prototyping especially for history and heritage games.

The slides from the workshop are here

I am particularly interested in developing the conceptual framework for teaching this, on slides 3-4 (with a better diagram!)

What is in an Acronym?

 

I once worked in a department at a huge IT firm, where no one knew what the letters stood for, OMC I think it was. We found out in a few days, but I have forgotten it again, it was surprisingly not memorable.

A more relevant insight might be the gap between digital humanists and people in the field of VR. When I was associated with DARIAH EU, Matt Munson, one of the researchers at the Göttingen Centre For Digital Humanities, was researching VREs.

To me a VRE was a virtual reality environment (granted it is not commonly used now but it is still used: https://www.vrs.org.uk/virtual-reality-environments/) but to Matt and the Digital Humanists it was a Virtual Research Environment, portal (well, web platform) for all the digital tools a scholar from a specific discipline might wish to use.

Good idea in theory, but my point is the gap between so many in DH and VR, both use the same acronym for not quite the same thing and are totally oblivious to what it means in the other field. And it also reveals how elastic the term Virtual is.

Landscape Data Art & Models as Linked Open Data

A free event on Linked Open Data and related Digital Humanities Projects will be taking place on 27 July.

Landscape Data Art & Models as Linked Open Data

The HIVE, (inside John Curtin Gallery) | Building 200A, Curtin University | Kent Street, Bentley | Perth, WA 6102 | Australia

Friday, 27 July 2018 from 10:00 am to 5:00 pm (Australian Western Standard Time)

Venue: The HIVE (inside John Curtin Gallery), Curtin University

Speakers (alphabetical order, program later), with provisional title and topic

Please note, if you do not know what RDF (Resource Description Framework), Semantic Web, or Linked Open Data is, we will have an intro workshop on this (and current Digital Humanities projects including Virtual Reality) in the Curtin Library Makerspace, Level 5, 3-4:30PM 26 July 2018. The working title is Linked Reality, Mixed Reality but a link to the free workshop will be provided from this page.

The Screen Tourism VR and Cultural Heritage event will take place Monday at the HIVE, Curtin University.

It is fully booked but the programme is now:

DRAFT SCHEDULE (HIVE opens at 12:30pm)

PROGRAM SESSION 1 (Chair: Dr Tod Jones (Curtin University))

1.00–1.05pm: Welcome by Dr Tod Jones

1.05–1.40pm: Mr Ian Brodie (http://www.ianbrodie.net/)

1.40–2.00pm: Dr Christina Lee (Curtin University)

2.00–2.20pm: Professor Erik Champion (Curtin University)

2.20 – 2.45pm: Q&A

2.45–3.15pm: Coffee/tea break at Aroma Café

SESSION 2 (Chair: Erik Champion)

3.15–3.20pm: Introductions

3.20–3.40pm: Mr Mike Dunn (Phimedia)

3.40–3.50pm: Mr Mat Lewis (South West Development Commission)

3.50–4.00pm: Mr Nathan Gibbs (Screen West)

4.00–4.30pm: Q&A then sundowner (see below).

VENUE

HIVE (VR Centre), John Curtin Gallery, Kent Street, Curtin Bentley campus WA 6102

https://humanities.curtin.edu.au/research/centres-institutes-groups/hive/

Phone: (08) 9266 9024 (HIVE).
Map link https://goo.gl/maps/FZu8FaEaULt (in John Curtin Gallery opposite Aroma Café)

PARKING (https://properties.curtin.edu.au/gettingaround/parkingzones.cfm

You can pay in a visitor’s carpark (there are parks near John Curtin Gallery/the HIVE) or you can download a phone app and pay in the yellow signed curtin parks at a much cheaper rate. Closest zone is D3 off Kent St then Beazley Avenue, park as close as you can to John Curtin Library.

CANCELLATIONS

If you cannot make the event please cancel your ticket at Eventbrite as we have people on the waiting list

TEA/COFFEE

We hope to have tea or coffee provided for attendees at the nearby outside Aroma cafe during the coffee break, please bring your Eventbrite ticket number.

SUNDOWNER AFTER THE EVENT

If you would like to speak to Ian or Mike or the other speakers after the event from 4:30PM or so we hope to offer a small sundowner at the meeting space of Innovation Central, Level 2, Engineering Pavilion Building 216. More details at the event but just a note you can also find it at http://properties.curtin.edu.au/maps/

 

Imagined Spaces in Real Places

If you are in Perth 11 June please sign up on EventBrite to this free event:

Imagined Spaces in Real Places (Screen Tourism, VR & Cultural Heritage)

ImaginedSpacesEvent-FINAL.jpg

There is a burgeoning global tourist trade for places – both real and imaginary – inspired by cultural texts and their creators. While Stratford-upon-Avon has long been a mecca for Shakespeare enthusiasts, (popular) cultural tourism has now extended the bucket list of travel destinations to include the likes of Westeros (aka Dubrovnik, Croatia; Game of Thrones) and Middle-earth (aka New Zealand; The Lord of the Rings). This Symposium brings together scholars and presenters from industry to discuss how screen-based tourism (film, television) can be a generative force in local economies, in region/nation branding, and as a way of promoting cultural heritage. The potential and practical application of technology – specifically virtual reality, locative apps and interactive media – in facilitating an immersive touristic experience, visualising place and creating narrative will also be explored.

DETAILS

Monday 11 June 20181-4:30PM (Presentations start at 1pm, finish approx. 4:30pm. HIVE opens at 12:30pm).
Venue: Curtin University HIVE (VR Centre), John Curtin Gallery, Kent Street, Curitn Bentley campus WA 6102
Event organisers: Christina Lee, Erik Champion

Keynote speaker: Ian Brodie (http://www.ianbrodie.net/)

Other presenters include: Dr Christina Lee, Professor Erik Champion, Mat Lewis (Southwest Development Commission), Professor Sue Beeton (teleconference).

Venue: https://humanities.curtin.edu.au/research/centres-institutes-groups/hive/

Phone: (08) 9266 9024 (HIVE).
Map link https://goo.gl/maps/FZu8FaEaULt (in John Curtin Gallery opposite Aroma Café)

Digital Humanities Research Infrastructures in Australia

Thanks to Curtin’s Faculty of Humanities and Computational Institute I attended the Australian Academy of Humanities 2 day Humanities Arts and Culture Data Summit, 14-15 March, hosted by the AHA https://www.humanities.org.au/ at the National Film and Sound Archive (NSFA), Canberra.

The below is from a brief report but may be of interest to those who’d like a quick guide to what is happening regards digital humanities research infrastructures at a National level in Australia.

SUMMARY:

Quick guide to social sciences/sciences platforms and RIs

  • Dr John La Salle, Director, Atlas of Living Australia https://www.ala.org.au/ biodiversity data
  • Dr Merran Smith, Chief Executive, Population Health Research Network http://www.phrn.org.au/
  • Andrew Gilbert, General Manager, Bioplatforms http://www.bioplatforms.com/andrew-gilbert/
  • Professor Bert Roberts, Director, ARC Centre of Excellence for Australian Biodiversity and Heritage, 1 year into Centre of Excellence https://epicaustralia.org.au/  “Now is the time to tell a culturally inclusive, globally significant human and environmental history of Australia. We like to call it, Australia’s Epic Story. The ARC Centre of Australian Biodiversity and Heritage (CABAH) will undertake research that will safeguard our national heritage, transform research culture, connect with communities and inform policy.”

Humanities

  • Professor Linda Barwick FAHA, University of Sydney – PARADISEC http://www.paradisec.org.au/ has funding issues but well respected, may require more computing to scale. “PARADISEC (the Pacific And Regional Archive for Digital Sources in Endangered Cultures) is a digital archive of records of some of the many small cultures and languages of the world”
  • Professor Julian Meyrick, Flinders University – AusStage http://www.flinders.edu.au/ehl/firth/focus/digitalhumanitiesanderesearch/ausstage.cfm “AusStage provides an accessible online resource for researching live performance in Australia. Development is led by a consortium of universities, government agencies, industry organisations and collecting institutions with funding from the Australian Research Council and other sources.”
  • Professor Mark Finnane FASSA FAHA, Griffith University – Prosecution Project https://prosecutionproject.griffith.edu.au/ “The criminal trial is the core of the Australian criminal justice system. It is the product of police investigation and its outcomes include the sentences of imprisonment that populate our prisons.” It is an impressive historical database. Overseas law researchers and historians (UK etc.) use it because it is better than theirs, apparently.
  • Alexis Tindall, Research Engagement Specialist – Humanities and Social Sciences Data Enhanced Virtual Lab (HASS DEVL https://www.ersa.edu.au/1-1-million-funding-humanities-arts-social-sciences-data-enhanced-virtual-lab/ “Humanities, Arts and Social Science researchers will get access to cutting-edge online tools and services thanks to $1.1 million in new funds for a collaborative virtual laboratory project. The Humanities, Arts and Social Sciences (HASS) Data Enhanced Virtual Lab (DEVL) will bring together fragmented data, tools and services into a shared workspace.”

Others included (but there were more)

  • Adam Bell https://aiatsis.gov.au/ (very good talk on problems funding and running archives), Canberra. “The Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) is a world-renowned research, collections and publishing organisation. We promote knowledge and understanding of Aboriginal and Torres Strait Islander cultures, traditions, languages and stories, past and present.”
  • Roxanne Missingham, University Librarian, Australian National University, showed the library books destroyed by flood, said to applause that infrastructure included people.
  • Alison Dellit, Assistant Director-General, National Collections Access, National Library of Australia. Discussed the National Library’s Trove https://trove.nla.gov.au/ “Find and get over 569,383,366 Australian and online resources: books, images, historic newspapers, maps, music, archives and more”)
  • Professor Rachel Fensham, Chief Investigator Social and Cultural Informatics Platform, University of Melbourne https://scip.unimelb.edu.au/about “SCIP responds to current demand and future growth in the digital humanities, arts, and social sciences by providing the necessary informatics skills and technology platforms to support researchers, research students and strategic research activities.”

AAH-HAC-Data-Summit-Program(2).pdf

AAH-HAC-Data-Summit-Discussion-Paper.pdf